 |
|
|
BRITISH INVASION FILM SERIES
Join us for a month-long series of jolly good fun with
these delightful gems from across the pond. Sponsored
by Earl Of Sandwich.
Check out this article
about the British Invasion Film Series from the Michigan
Daily.
Mondays at 7:00, March 3 through
March 31
|
|
| The Italian Job (1969) |
March 3 |
| Love Actually (2003)
|
March 10 |
| The Importance of Being Earnest
(1952) |
March 17 |
| How To Get Ahead In Advertising
(1989) |
March 24 |
| Trainspotting (1995) |
March 31 |
|
|
March 3 at 7:00 |
Peter
Collinson's 1969 caper film made an immediate impact
with audiences craving a faster paced and higher octane film.
A box-office hit that held audiences breathless, THE ITALIAN
JOB would influence action movies for years to come with its
thrilling car chases, explosive pyrotechnics, and smash-em-up
sensibility. Before being murdered by the Mafia, criminal
genius Robert Beckerman ( Rossano Brazzi in
a cameo role) masterminds a plan to steal $4 million worth
of gold bullion from an armored car in Turin, Italy. The ambitious
heist is taken over by Beckerman's friend and smalltime crook
Charlie Croker ( Michael Caine), who organizes
a motley group of thieves bankrolled by jailed kingpin Mr.
Bridger ( Noel Coward). To pull off the plan,
the gang must tie up traffic in the center of the city to
divert attention from the robbery, block police pursuit, and
ultimately make off with their booty undetected. The caper
leads to one of the most exciting car chases ever filmed,
featuring a bus, a couple of Jaguars, and a trio of brightly
colored Mini Coopers careening through the streets, buildings,
and highways of northern Italy and winding up in a breathtaking
final cliffhanger that is simply unforgettable. Rated
PG. 99 minutes.
|
LOVE ACTUALLY
|
March 10 at 7:00 |
 Set in contemporary
London in the weeks before Christmas, LOVE ACTUALLY tells
one story which weaves together a spectacular number of love
stories-sometimes romantic, sometimes sad, sometimes stupid-all
funny in their own way. Everywhere you look, love is causing
chaos. From the new bachelor Prime Minister who falls in love
30 seconds after entering Downing Street to a loser sandwich
delivery guy who doesn't have a hope with the girls in the
UK, so heads for Wisconsin; from a jilted writer who escapes
to the south of France to nurse his broken heart to an aging
rock star trying to make a comeback at any price; from a bride
having problems with her husband's best man to a married woman
having trouble with her husband; from a schoolboy with a crush
on the prettiest girl in the school to his architect step-father
with a crush on Claudia Schiffer. These London
lives and loves collide, mingle and finally climax on Christmas
Eve-again and again and again-with romantic, poignant and
funny consequences for all. Starring Liam Neeson,
Laura Linney, Hugh Grant, Emma Thompson, Colin Firth, Bill
Nighy, Keira Knightley, Alan Rickman and
Rowan Atkinson. Rated R. 135 minutes.
|
THE IMPORTANCE OF BEING EARNEST
|
March 17 at 7:00 |
 Set at
the height of the Victorian era, popularly imagined to be
a cold and repressive time, the visual contrast with 1950s
Technicolor only seems to enhance Oscar Wilde's
sharp satire and droll epigrams. Cast with talented veterans
of the English stage, even the minor characters are a delight.
Director Anthony Asquith allows the actors,
particularly the female roles, to deliver Wilde's dialogue
in a ringing theatrical voice. Edith Evans
as the imperious Lady Bracknell, full of strident tone and
rolling R's, and always in high dudgeon, strikes fear in the
heart of Jack ( Michael Redgrave), while Joan
Greenwood as the beautiful, opinionated Gwendolyn,
melts his heart in a voice that practically purrs. Wilde's
use of a convoluted, improbable story, much imitated in the
screwball comedies of the 1930s, never detracts from the pure
enjoyment of his characters silly yet heartfelt struggles.
Asquith's staging and directing is smooth and fluid, thus
retaining a theatrical feel. This gives today's viewer a sense
of what Victorian audiences must have felt when they first
beheld the breathless pace and matchless wit of the incomparable
Oscar Wilde. Rated PG. 95 minutes.
|
HOW TO GET AHEAD IN ADVERTISING
|
March 24 at 7:00 |
 A top-notch
advertising executive ( Richard E. Grant)
becomes fed up in the midst of trying to come up with a pitch
for a new pimple cream, chucking his job and rebelling against
society at large. The cream ultimately may have come in handy,
as a boil develops on his neck--and begins to talk! An inventive,
bizarre satire. Rated R. 94 minutes.
|
TRAINSPOTTING
|
March 31 at 7:00 |
 A kinetic,
intimate look inside the subculture of heroin abuse, this
acclaimed adaptation of Irvine Welsh's novel
follows the misadventures of Renton, a brash, twenty-something
Edinburgh junkie, and his nihilistic chums Tommy, Spud, Sick
Boy and Begbie. Alternately comic and off-putting, the film
ultimately comes down to Renton's choice between self-destruction
or life. Starring Ewan McGregor and Jonny
Lee Miller. Rated R. 94 minutes.
|
|
|
 |
 |
 |